![]() The members spent a year and a half recording the new album in an enormous former town hall in Govan, an industrial area of Glasgow. “When you’re there, when you’re hanging about, you feel quite detached from musical movements or fashions or anything like that. “It’s quite shocking.”) When the band members reconvened in Glasgow in 2007, they would occasionally play shows in basement clubs for 150 people to test out the new songs. (“Without being mean, I’d say Paul was probably the most puerile member of the band, and now he’s by far the most mature and responsible,” Mr. Thomson, who is also married, started a family. Hardy hung out with friends in New York, and Mr. Kapranos, who splits his time between Glasgow and Greenpoint, Brooklyn, with his girlfriend, the singer Eleanor Friedberger of the Fiery Furnaces, produced an album by the British act the Cribs in Vancouver. McCarthy, who recently moved to London from Glasgow with his wife, traveled and studied piano. ![]() Having spent nearly every day together for several years, the band took a break after the tour.ĭuring that time Mr. Released a year later, their second album, “You Could Have It So Much Better,” did just half as well, and didn’t have a hit radio song. Still, “Tonight” is an attempt to regroup as the small Glasgow band the members started, rather than the stylish name brand one they seemed poised to become after their self-titled debut, which had a narrowly defined look and a taut signature sound and sold more than a million copies in the United States. ![]() Kapranos said, “because we are the least sporty people in the world.” Not that they mind having their music back arena-size sporting events. “For a while there, you thought, ‘Are these guys going to go down as a one-hit wonder?’ ” Mr. Less than a year later the band was opening the Grammys with “Take Me Out.” “It’s a mixed blessing when a band gets that much attention early on,” said Jason Bentley, the music director of KCRW, the influential radio station in Santa Monica, Calif., and the host of “Morning Becomes Eclectic.” In 2004 that program, with Nic Harcourt as the host, first featured Franz Ferdinand in the United States. McCarthy discussed their attempts to sidestep the clichés of postpunk stardom while still making a record people could dance, and debauch themselves, to. Over an elaborate lunch kimchi and other pickled vegetables, East and West Coast oysters, pork and shitake mushroom buns, noodle soups and hamachi with beet purée he and Mr. (A collection was released in the United States as a well-received book, “Sound Bites: Eating on Tour With Franz Ferdinand,” in 2006.) ![]() Hardy when they worked at a Glasgow restaurant, and eventually wrote a food column for The Guardian in Britain. He has a reputation as a foodie: he met Mr. Kapranos again singing disco songs about girls and hedonistic behavior. Hardy wrote in an e-mail message), unusual instrumentation, echoes of dub and even an acousticy ballad, “Tonight” will sound familiar to Franz fans, with Mr. (Or their angular haircuts.)īut though the band added more keyboards, bass (“It’s nice to be the lead onstage occasionally, so that I can show off a bit,” Mr. McCarthy said, a description that has stuck to the band as surely as their slim-cut suits. “You feel like, right, that’s become so much a part of musical vocabulary of the contemporary band, it’s now a cliché, and you have to leave it,” he said. Since then the members have found that their aesthetic from their high-hat beat to their mod wardrobe has gone mainstream, especially in Britain, Mr. On it, the group which includes Bob Hardy on bass and Paul Thomson on drums aimed away from the wry, propulsive post-punk that defined its first two records and made its global 2004 hit, “Take Me Out,” an unlikely stadium anthem even the Yankees used it. The odyssey of a night out, from drug-fueled anticipation to dance-floor frenzy to post-hook-up comedown, is also the subject of the band’s third album, “Tonight: Franz Ferdinand,” released on Tuesday on Domino/Epic Records. Now both were sitting at Momofuku Noodle Bar in the East Village, recovering. McCarthy capped it off with some dancing at a downtown club, staying out until 5 a.m. They went to a concert by the British group the Last Shadow Puppets followed by a late-night feast at the Spotted Pig, the West Village gastropub. Kapranos, the lead singer of the Scottish rock band Franz Ferdinand, and his bandmate Nick McCarthy, who plays guitar and keyboards, had spent the previous evening in a refined version of debauchery. It was around 3 in the afternoon when Alex Kapranos’s hangover began to wear off.
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